I agree…but consider this…
What the members of this forum (and, I suspect many who are not/still-to-be members) are really admiring is the creation (as far as I can ascertain) of Tony Essex. I believe that if Cobbler’s Dream had been made in place of what we know as Follyfoot then this forum, if it existed, would comprise different members.
Tony Essex’s vision seems to have dominated all aspects of the production including script writing and getting his brother to write the title song - he seems to have known what he wanted. Had it been possible I would not be surprised if he would have chosen to direct, construct the sets, play all the parts and train the horses himself! This of course was not possible so it is an even greater tribute to the man that he was able to choose those he knew could deliver what he wanted and ensured they did so. The resulting sets, performances, and cinematography delivered in response to what was demanded means inevitably that the series is in turn just as much a tribute to all the cast, crew and production team.
This is why his film script is important – it is what Tony Essex envisioned of the next part of the story – however happy, tragic or mundane it may be.
It would be wonderful if as many of the original cast as possible would take on their previous roles in a radio play because, in addition to the nostalgic dimension, their renditions of the characters were their own interpretations of Tony Essex’s storyline and it is really this aspect of the series that has engaged the audience. However, if this were not possible then a radio play version of the script neatly circumvents the problem of different actors playing the roles. Listeners would still be able to imagine the original cast playing the parts. The actors would of course receive the usual credits but the marketing for the play would be able to make use of pictures of the original cast – useful to capitalise on an existing fan base and increase the chances of commercial viability.
The point that the series was long ago and it was essentially a job of work to each member of the cast is well made. However, whether they love or hate what the series did for their careers (and I do not underestimate the consequences early success can have upon those wanting to develop their careers – particularly if it is in another direction) I cannot believe that anyone involved does not feel at least some pride in being associated with both a popular success and technically acclaimed production.
Sadly, time is not on Follyfoot admirers’ side. At some point, the original cast will not be able to take part, those unique insights into the storyline that could enrich areas of the script will become fewer and as the popularity of the series begins to drift, the significance of the film script will in turn fade.
pete2013
